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December 14, 2009

The Loss of a Teardrop Diamond

Filed under: Movies, Movies online, Release — Tags: , , , , , — admin @ 7:35 am

The Loss of a Teardrop Diamond (2009) Poster

Fisher Willow is a headstrong young heiress who chafes under the constraints of proper Southern society, and rebels by asking the impoverished but handsome son of her father’s caretaker, Jimmy Dobyne, to escort her to the major social events of the season. The relationship is purely a business arrangement at the outset, with Fisher paying for Jimmy’s time and attention, but when she discovers that she really loves him, she finds it impossible to re-write the rules and earn the affection she tried to buy.

Production Status: In Production/Awaiting Release
Logline: The debutante daughter of a Memphis plantation owner in the 1920s has a distaste for narrow minded people and a penchant for shocking and insulting those around her.
Genres: Drama and Romance
Running Time: 1 hr. 42 min.
Release Date: December 30th, 2009 (limited)
MPAA Rating: PG-13 for some sexuality and drug content.
Distributors:
Paladin
Production Co.:
Constellation Entertainment LLC
Filming Locations:
Louisiana, USA
Produced in: United States

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Toronto International Film Festival 2008 – UPDATE #8

The Loss of a Teardrop Diamond
Directed by Jodie Markell
USA/102 MINUTES/GALA

The Loss of a Teardrop Diamond is evidently based on a rare original screenplay from noted playwright Tennessee Williams, and – if the final product is any indication – the script probably should’ve stayed buried. The film, unsurprisingly set in the 1920s, follows a rich society girl (Bryce Dallas Howard’s Fisher) as she prepares to attend an important social event alongside an impoverished local (Chris Evans’ Jimmy), though Fisher’s plans for a good time are derailed after she loses a $5,000 “teardrop” diamond. While the movie is generally well acted and pleasant to look at, The Loss of a Teardrop Diamond is almost completely devoid of interesting elements – with the stunningly inert pace exacerbating the film’s various problems. There’s little doubt that the proceedings come to a dead stop once the action shifts to that all-too-important party, as the various characters are left with little to do but spout flowery instances of dialogue and engage in backstabbing antics. The wait for something (anything) of interest to occur becomes more and more interminable as the movie progresses, with the superficial and entirely one-note nature of Howard’s character effectively highlighting the lack of plot within Williams’ eye-rollingly outdated screenplay.

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